Guercino: Mind to Paper
22 February – 13 May 2007
鈥淗eart-stopping drawings of life and myth”聽 Independent on Sunday
鈥淓xtraordinary technical and stylistic versatility ” The Times
Giovanni Francesco Barbieri (1591-1666), nicknamed Guercino (鈥渟quinter鈥) after a childhood incident left him cross-eyed, is regarded as one of the most significant Italian artists of the Baroque period. 聽A prolific and fluent draughtsman who was known as 鈥榯he Rembrandt of the South鈥, he was hailed for his inventive approach to subject matter, his deftness of touch and his ability to capture drama and movement. 聽This exhibition reflected the artist鈥檚 extraordinary technical and stylistic versatility, and was the second joint exhibition to be organised as part of the 麻豆视频 Institute of Art鈥檚 ongoing collaboration with the J. Paul Getty Museum, Los Angeles.
Guercino spent almost his whole life close to his birthplace of Cento near Ferrara, and in Bologna, but his reputation was cemented in Rome while he was working for the court of Pope Gregory XV between 1621 and 1623. 聽After returning to northern Italy, he ran a busy and successful workshop where he made hundreds of paintings over the course of his career. 聽His works were sought after internationally but he turned down invitations to become a court artist in both London and Paris.Guercino is celebrated as one of the most naturally gifted and versatile draughtsmen of his age. 聽The drawings in the exhibition have been specifically chosen to demonstrate his remarkable technical and compositional ability as well as his wide-ranging choice of subject matter. They include a rare large study of a male nude, an imaginary landscape, a caricature, a number of highly appealing informal scenes from everyday life and exploratory studies for large painted compositions. Guercino鈥檚 early biographer Carlo Cesare Malvasia (1616-93) recorded that the artist was 鈥榓ffectionate of the poor, who flocked around him whenever he left his house, as if he were their father; he enjoyed conversing with them鈥. 聽His sympathy for a variety of human situations is particularly apparent in such scenes as Interior of a baker鈥檚 shop, a scene humorously observed from life.
Supporters
- Guercino Supporters Circle: Agnew鈥檚; Jean-Luc Baroni; Katrin Bellinger; Christies; Columbia聽Foundation; Day and Faber; Kate de Rothschild; Dickinson;聽Hazlitt Gooden & Fox; Italian Cultural聽Institute; The Matthiesen Foundation;Flavia Ormond Fine Arts; Thomas Williams Fine Art Ltd